![]() ![]() Not done with that, she goes ahead and humiliates him out of the house. As a flashback later discloses, she actually shreds the compositions and the man watches with mouth and legs agape, as the work he is obsessed with glides to him in miserable shreds. He calls her attention to the fact that he is busy with work – can’t she see? Annoyed at his lack of attention to her, she lunges at his piano compositions one by one, flings them away and leaves. Loyal to her feelings once again, she hurries in cheerfully with a displayed yellow aso oke for her lover to admire. She sprints in with a mobile phone for the man to share in the delights of a lovely conversation she’s been having. He declines he does not have time for that now. ![]() To her lover, soaked in his piano lessons and frustrated that he is not getting things correctly, she presents a hot drink. But his storyline? A young lady plays the role of a girlfriend (from the position of her finger ring) cohabiting with a masked man. Like his name that has been improved from Lagbaja to Lagbaja!, the technical quality of his video and the editing have improved to a world music premiership quality. But unlike Nothing For You, in Lagbaja’s last musical video collection which glamorizes the dark registers of a social malaise: the aristo and the sugar daddy, Never Far Away, in his new Africano album, engages the themes of ego, conflict of mutual interest and reconciliation.
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